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lacunae links clips notes etc. menu skip to content who i am and so i’m back from inner space writing? why, yes, i’ve been doing a bunch of that lately. my most recent graphic novel roundup for the new york times book review covers books by jason, kate beaton, ryan north and erica henderson, kelly sue deconnick and valentine de landro, and asaf and tomer hanuka and boaz lavie. over at billboard, i wrote about david bowie’s career-long relationship with r&b . i also interviewed sleater-kinney and carole king and reviewed albums by yo la tengo , the chemical brothers and the isley brothers . i’ve been writing a series of limericks inspired by out-of-context comics panels for hilobrow. (i also provided text for a new tarot card for them.) for pitchfork, i wrote about bowie’s young americans and five years 1969-1973 , the [cease & desist] diy! compilation , sly & the family stone’s live at the fillmore east , the velvet underground’s the complete matrix tapes box, etc. i wrote some significant chunks of recent rolling stone “bookazines” about bowie and bob dylan, but those aren’t online. likewise with some short essays about foxes in world mythology for dark circle comics’ the fox and a chapter on comics publishing for the forthcoming anthology literary publishing in the twenty-first century . for the los angeles times, i wrote about stan lee’s amazing fantastic incredible . i’ve started a podcast called fonflif! , with the estimable kelly kanayama; it’s mostly about gender-and-representation politics in comics. a couple of episodes are up so far–you can consider this our pilot season, i figure. and i made a spotify playlist of (mostly) hip-hop sources of allusions in “hamilton.” otherwise? teaching, cooking, working on a few secret projects, one of which is rather big. how’re you? this entry was posted in uncategorized on february 1, 2016 by douglas . playing catch-up again let’s see. what have i been up to? well: *the fifth and final issue of judge dredd: mega-city two came out at the beginning of this month; so did the director’s cut of mega-city two #1, which includes my entire script for that issue, as well as several pages of annotations. the paperback collecting all of mega-city two comes out sometime in august, i’m told (pre-order it now!), and will include annotations for the whole miniseries (which is why i haven’t posted any for the fifth issue here–though if anybody can identify where the tek-judge in the first scene originally appeared, gold star). *i wrote another graphic novel roundup for the new york times book review–this time on jaime hernandez’s the love bunglers , fabien vehlmann and kerascoët’s beautiful darkness , jesse jacobs’s safari honeymoon , danica novgorodoff’s the undertaking of lily chen , and matt fraction and chip zdarsky’s sex criminals , vol. 1. *i’ve been writing for comics alliance again–this month they’ve run a piece about prince’s batman soundtrack ,an appreciation of the wicked + the divine , and several installments of my new column about the curious gems on the marvel unlimited service. *i’ve been writing some things for wondering sound too: i wrote an obituary for bobby womack , put together an oral history of life without buildings’ any other city , and collaborated with j. edward keyes and john everhart on an oral history of the c86 compilation . there are other things brewing, about which i can’t speak quite yet, but–i still exist, basically! this entry was posted in uncategorized on june 30, 2014 by douglas . notes on judge dredd: mega-city two #4 spoilers ahoy! and yes, there’s going to be a paperback collecting all of mega-city two ; it comes out in august. the epigraph in the original script for this issue comes from jean baudrillard: “disneyland is presented as imaginary in order to make us believe that the rest is real, whereas all of los angeles and the america that surrounds it are no longer real, but belong to the hyperreal order and to the order of simulation.” (the issue’s title is from baudrillard, too.) pg. 1: ulises spent an entire day drawing that first panel. also: moar owls. i still crack up over “and you’re here to see mr. di crimelord?” pp. 2-3: i am unduly proud of this little song (whose rhyme scheme is very gilbert and sullivan, but i also imagine barry singing his lines in a kind of bugs bunny-ish outer-borough accent)–there’s a lot of exposition i managed to get in there. the “grandpa was a bandit” bit is my private joke about walt disney’s explanation of the design of main street u.s.a. (“for those of us who remember the carefree time it recreates, main street will bring back happy memories. for younger visitors, it is an adventure in turning back the calendar to the days of grandfather’s youth.”) we’ve seen a couple of lawless entertainment enclaves before in judge dredd –there’s the las vegas sequence in “the cursed earth,” and the floating pleasure island of “sin city” (which, come to think of it, actually has its own theme song too). this is a very, very cynical take on anarchism; while several of my favorite comics writers ever, particularly comics writers named alan, are enthusiastic and eloquent proponents of it, i fear i can’t quite go there myself. of course barry and foley are facing us. their whole raison d’être is breaking the fourth wall… but breaking the fourth wall of a movie, not a comic book. ulises and ryan, of course, knock this so far out of the park it was last seen somewhere around enceladus. love that late-night neon lighting. pg. 5: and the alien in the tube!! di crimelord’s dialogue took a couple of passes to get up to scooby-doo -level corniness; ditto for dredd’s dialogue, which had to sound kind of like him but observably out of character. plus we know that that’s really not what the friendly bullets do… pg. 6: the clean t-shirt that caples changes into was an inspired bit of improvisation from ulises; if you look at the first issue, the dahlias’ van has a “black dahlia” logo on it (because i’d written “the black dahlia van” in the script). so he decided that black dahlia was the equivalent of, say, fox searchlight. also inspired: barry and foley constantly changing their shapes to riff on whatever’s happening, throughout the issue. it’s officially called “melody time,” not “crimeland.” they don’t like that nickname there. pg. 8: santos–name, costume and everything–was ulises’ invention: he sent me a text one day with a sketch he’d done, and it took about twelve minutes for santos’ backstory and his role in mega-city two to click into place for me. then i went back and snuck a reference to him into #1, just so we could set up his appearance as early as possible. nice entry line he’s got, too. and the “animated” style for this and the other interludes in this issue makes me ridiculously happy. pg. 10: oh, right, the big secret that dredd’s been keeping through this whole story so far? it’s so not a secret that santos just spells it out for him. also, some people will take advantage of lawlessness to do anything that’s normally illegal. like “seditious lectures.” “patos locos”–seen again on the final page–is the greatest possible name for a gang in melody time, and is ulises’ joke. pg. 11: the rusty bitcoin is like the one bit of chicken fat in this issue that i came up with; everything else is ulises. “f.l.a.m.e. protocol”: i needed something that would indicate that santos really was a judge by training; this is a reference not to anything from the dredd canon but to my own very limited experience with a peacekeeping force . ulises was itching to draw a mk. i lawgiver, and i figured out how one could tie this issue’s plot together, but that meant i had to explain what one does. fortunately, barry and foley are only too happy to jump in with exposition whenever it’s needed. or not needed. pg. 12: foley also provides relevant sound effects whenever he gets the opportunity, because, well, “foley.” hence the “wilhelm”/”howie” joke. pg. 13: the ret

URL analysis for lacunae.com

http://lacunae.com/2016/02/and-so-im-back-from-inner-space/
http://lacunae.com/author/douglas/
http://lacunae.com/2014/03/another-work-update-post/
http://lacunae.com/category/uncategorized/
http://lacunae.com/wordpress/wp-content/uploads/2014/05/mc2-4-cover.jpg
http://lacunae.com/2014/04/notes-on-judge-dredd-mega-city-two-3/
http://lacunae.com/2013/03/machines-snapping-into-place/
http://lacunae.com/2013/06/importation-importuning/
http://lacunae.com/2014/05/notes-on-judge-dredd-mega-city-two-4/
http://lacunae.com/2014/06/playing-catch-up-again/
http://lacunae.com/2014/02/notes-on-judge-dredd-mega-city-two-2/
http://lacunae.com/2014/01/the-future-site-of-mega-city-two-tour/
http://lacunae.com/page/2/
http://lacunae.com/#content
http://lacunae.com/wordpress/wp-content/uploads/2014/04/megacity-300x200.jpg
dreddalert.blogspot.co.uk
hodderscape.co.uk
dailymail.co.uk
sevenpennynightmare.co.uk
thewire.co.uk

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Domain Name: LACUNAE.COM
Registry Domain ID: 5435449_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.pairdomains.com
Registrar URL: http://www.pairdomains.com
Updated Date: 2018-01-30T06:52:16Z
Creation Date: 1999-04-20T04:00:00Z
Registry Expiry Date: 2023-04-20T04:00:00Z
Registrar: pair Networks, Inc. d/b/a pair Domains
Registrar IANA ID: 99
Registrar Abuse Contact Email:
Registrar Abuse Contact Phone:
Domain Status: ok https://icann.org/epp#ok
Name Server: NS00.NS0.COM
Name Server: NS92.PAIR.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
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SERVERS

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  ARGS domain =lacunae.com

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DOMAIN

  NAME lacunae.com

  CHANGED 2018-01-30

  CREATED 1999-04-20

STATUS
ok https://icann.org/epp#ok

NSERVER

  NS00.NS0.COM 216.92.60.60

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